In sculpture, ma...helps you to listen to the material you are working with, allowing you to push boundaries while remaining respectful and true to the material.
Sylvie Johnson, Invisible Threads
Crossing Lines
This exhibition explores innovation through tradition, where the material pushes technical and creative boundaries. By bending the loom’s linear structure and expanding sculpture’s tactile language, the artists invite a slow and intimate appreciation for the human hand at work.
By Aaron Chung
Brink (2024), Silent (2023), and Crease (2024) by Sylvie Johnson with Angle de Vue (2024) by Eric Astoul
Adagio 1 (2010) by Sylvie Johnson with Double Cône (1951) by Jean Lerat, Vase (1930) by Jean Besnard, Vase Double Panse by Valentine Schlegel, and Trois Cercles (c. 1960) by Jean Lerat
Collage (2024) by Sylvie Johnson
Mesh (2024) by Sylvie Johnson with Bancs Laqués (c. 1920) by Seizo Sougawara
L'Invite (1956) and Le Petite Guerrier (1954) by Emile Gilioli with Regatta (2020) by Sylvie Johnson
For more information about Crossing Lines and the individual works on view, we invite you to download the exhibition sheet and reach out to our curator using the inquiry button below. We encourage you to schedule a visit to experience the full depth of these pieces in person.